Publications
Showing entries 361 - 370 out of 455
Thalwitzer, M. T., Brinkmann, H., & Rosenberg, R. (2015). Using a concealed, calibration free eye-tracker for studying art perception in the museum. Journal of Eye Movement Research, 8/4, 140.
Patrone, A. R., Valuch, C., Ansorge, U., & Scherzer, O. (2015). Variational saliency maps for dynamic image sequences. In ECEM 2015 Abstracts of the 18th European Conference on Eye Movements (pp. 224)
Peschl, F.-M., Fundneider, T., & Kulick, A. (2015). Von der Zukunftsvorhersage zur Emergenten Innovation. In J. Gadner (Ed.), Die Gestaltung der Zukunft: Wirtschaftliche, gesellschaftliche und politische Dimensionen von Innovation echomedia buchverlag.
Rosenberg, R. (2015). Was There a First Abstract Painter? Af Klint's Amimetic Images and Kandinsky's Abstract Art. In K. Almqvist, & L. Belfrage (Eds.), Hilma af Klint. The Art of Seeing the Invisible (pp. 87-100 & 322-323).
Valuch, C., Seywerth, R., König, P., & Ansorge, U. (2015). “Why do cuts work?” – Implicit memory biases attention and gaze after cuts in edited movies. Journal of Vision, 15(12), 1237. https://doi.org/10.1167/15.12.1237
Buchinger, S., Robitza, W., Nezveda, M., Hotop, E., Hummelbrunner, P., Sack, M., & Hlavacs, H. (2014). Evaluating Feedback Devices for Time-Continuous Mobile Multimedia Quality Assessment. Signal Processing: Image Communication, 29(9), 921-934. https://doi.org/10.1016/j.image.2014.07.001
Pflueger, L. S., Valuch, C., Gutleb, D. R., Ansorge, U., & Wallner, B. (2014). Colour and contrast of female faces: attraction of attention and its dependence on male hormone status in Macaca fuscata. Animal Behaviour, 94, 61-71. https://doi.org/10.1016/j.anbehav.2014.05.022
Leder, H., Gerger, G., Brieber, D., & Schwarz, N. (2014). What makes an art expert? Emotion and evaluation in art appreciation. Cognition & Emotion, 28(6), 1137-1147. https://doi.org/10.1080/02699931.2013.870132
Showing entries 361 - 370 out of 455